Pratchett’s vision in ‘Men At Arms’
overwhelms – the enormous scope
of scenes he paints reduces me
to tears and silent wonder
Sam Vimes’ income spent caring for
widows and orphans of deceased
watchmen; Angua facetiously claims
he spends it all on women
Captain Carrot explains Vimes one-
man pension fund scheme, tells how
he lives frugally to provide for those
he sees worse off than him,
For this he receives fairytale rewards:
marries Ankh-Morpork’s richest woman
made a Knight by none other than the
undercover Ankh-Morpork King –
Captain Carrot – who finds evidence of
his kingship on plunging his sword into
granite, destroys powerful GONNE after
reading documents proving his lineage
But steadfast and strong, turns from his
birthright to the throne, preferring to remain
a watchman – this solid nobility becomes
overpowering narrative causality
Pratchett remonstrates about fairy tales
yet creates luminous, delicate, enticing
magical tales for these two characters,
weaving details as Discworld sagas
Despite cynical commentary on society
and human nature, Pratchett idealistically
creates wonderful bubbles of fantasy,
camouflaged as flaws in reality
“Men at Arms” – Terry Pratchett; Little, Brown and
Company edition, 2000
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