Instead of walking out into the sun I gave an
impromptu, al-fresco dance-show to a long-
suffering colleague, hard-working Thokozile;
tethered to my computer by short cords of
my ear-phones, I dance to the Blue Tango
continuing breathlessly to express La
Cumparsita while singing the melody, then
On to That Happy Feeling & African Safari
requiring different techniques - colleague
laughing, firing me on; I play an imaginary
guitar, boom-chick-chick, and illustrate how
the exclamation marks interspersed in the
melody form lightning in the air - louder &
jumping higher - she just rolls her eyes -
Beethoven’s 7th in sad contrast, I hum the
sad parts for her while miming pain in my
heart caused by this melody - she shakes
her head and types her list with renewed
vigour; finally catching her drift I stop and
return to my work with new energy, ready
to survive second rendition of my all-time
Favourite Symphony, crying as imaginary
dark blue & black pall-bearers cross my
path, violins cry in the most heart-rending
pain, muscles tense & tears start as it binds
me to unbearable feelings; then soft caress
of the ensuing part calms my heart while
violins show fairies & goblins lightly flying
About - then off and away leaving me to a
coda of reminiscence about the beauty that
must be lost as nothing lasts in the current
reality - but I’m safe in the knowledge that all
is magnetic energy and lives on in vibration,
resonance - and eternal song…
Subscribe to:
Post Comments (Atom)
Dying Eventually
Listening to my favourite Internet guru, quite clearly this works for many people as they repeat the jargon flawlessly and I wish I could ge...
-
“This boy’s gonna make it” – ‘n heildronk op my ma, Annemarie: Dit gaan soms broekskeur om met familie klaar te kom want "Famil...
-
Found a perfect rendition of the Arabic alphabet on the Internet, trying to remember the letter KHa is pronounced with a guttural G...
-
Looking for the good, ignoring the sad (anything we dislike), according to Abraham’s (Esther Hick’s) website: “You cannot look at what you ...
No comments:
Post a Comment